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The culture of "cursilería": bad taste, kitsch, and class in modern Spain

Autor Noël Valis

Editorial DUQUE UNIVERSITY PRESS

The culture of cursilería: bad taste, kitsch, and class in modern Spain
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  • Editorial DUQUE UNIVERSITY PRESS
  • ISBN13 9780822329978
  • ISBN10 0822329972
  • Tipus Llibre
  • Pàgines 405
  • Any Edició 2002
  • Idioma Anglès
  • Encuadernació Rústica

The culture of "cursilería": bad taste, kitsch, and class in modern Spain

Autor Noël Valis

Editorial DUQUE UNIVERSITY PRESS

-5% dte.    36,70€
34,87€
Estalvia 1,84€
No disponible en línia, però les nostres llibreteres poden consultar la seva disponibilitat per donar-te una estimació de quan podríem tenir-lo a punt per a tu.
Enviament gratuït
Espanya peninsular
Enviament GRATUÏT a partir de 19€

a Espanya peninsular

Enviaments en 24/48h

-5% de descompte en tots els llibres

Recollida GRATUÏTA a llibreria

Vine i deixa't sorprendre!

Detalls del llibre

The Spanish terms cursi and cursilería are not easily translated, but they refer to a cultural phenomenon widely prevalent in Spanish society since the nineteenth century. Like "kitsch," cursi evokes bad taste, but it also suggests one who has pretensions of refinement and elegance without possessing them. In The Culture of Cursilería, Noël Valis examines the social meanings of cursi, viewing it as a window into modern Spanish history and particularly into the development of middle-class culture.

Valis finds evidence in literature, cultural objects, and popular customs toargue that cursilería has its roots in a sense of cultural inadequacy felt by the lower middle classes in nineteenth- and early-twentieth-century Spain. The Spain of this era, popularly viewed as the European power most resistant to economic and social modernization, is characterized by Valis as suffering nostalgia for a bygone, romanticized society that structured itself on strict class delineations. With the development of an economic middle class during the latter half of the nineteenth century, these designations began to break down, and individuals across all levels of the middle class began to exaggerate their own social status in an attempt to protect their cultural capital. While the resulting occurrences of cursilería were often provincial, indeed backward, the concept was--and still is--closely associated with a sense of "home." Ultimately, Valis shows how cursilería embodied the disparity between old ways and new, and how in its awkward manners, airs of pretension, and graceless anxieties it represents Spain's uneasy surrender to the forces of modernity.

The Culture of Cursilería will interest students and scholars of Latin America, cultural studies, Spanish literature, and modernity.